House Owner is poignant and remarkably restrained with a superb performance by Sriranjani, who portrays tremendous fortitude when dealing with a very cantankerous partner.
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Despite being the origin story, Annabelle Comes Home lacks the innovation. It’s a pretty straight forward tale of werewolves coming out of thin air and screaming their lungs out up close.
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Even in its fourth outing, never once does Toy Story 4 feel like a cash-grab sequel; like it was made by profit-hungry executives focused on milking a successful brand.
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Kabir Singh is an unmistakably misogynistic film, but the sad part is that it’s exactly these troubling portions that the filmmakers peddle as intense love.
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Those who have grown up on a staple Bollywood diet may not be very charmed with The Extraordinary Journey of the Fakir but it might be a fun ride for hopeless romantics.
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Game Over has elements of a psychological thriller, and nods to films like Edge of Tomorrow in which characters get multiple lives to move up levels in stories that are structured like video games.
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