Varun Dhawan and Sara Ali Khan's Coolie No 1 is half-hearted attempt at situational comedy. The remake of the 1995 film of the same name doesn't have similar funny vibes.
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In director Vikramaditya Motwane's AK Vs AK, Anil Kapoor and Anurag Kashyap play themselves. It's a riveting film with dollops of self-deprecating humour.
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'The Midnight Sky' has some gorgeous visuals, but in times like these when the world is passing through a crisis, do we need a plot like this – dreary and infusing a sense of hopelessness in us?
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Ma Rainey's Black Bottom never exaggerates nor underplays racial tensions. It's more like you're eavesdropping and listening to the private conversations of a band.
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Durgamati, crafted almost frame to frame from the 2018 Telugu-Tamil horror drama Bhagmathie, comes across as cliched melodrama more than next-level scare fest as it tries peddling horror with a message.
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The only redeeming feature in the film is Sharib Hashmi, who portrays well the joys and sorrows of being part of a household whose fortunes swing from one extreme to another.
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'Naxalbari' deals with the naxal movement in Maharashtra and how a civil-war like situation has only yielded casualties over the years and no resolution.
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M Gani's Matto Ki Saikil, produced by and starring Prakash Jha reminds us of the Italian classic Bicycle Thieves, and leaves us with heartbreak and helplessness.
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The gags fall flat and actors appear clueless. Nobody has anything to do expect Akshay Kumar and he also ditches the audience. It doesn't live up to the expectations.
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'Taish' relies on broken characters and their hidden truths to unravel a revenge drama. Unfortunately, it lacks novelty in both the storytelling and treatment.
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Faithful has captured the agony and angst of political activism in the then Algeria. The movie raises important political questions, hardly ever explored before in cinema.
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While the book is also a sharp commentary on the handling of India’s nascent independence by the Congress party and its volatile social fabric and communal tensions, the show forces every potentially pertinent question in the background.
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In Mirzapur 2, Ali Fazal and Pankaj Tripathi are unflinchingly staring at each other amid a barrage of bullets with a commitment to make all this look bizarrely satisfying.
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While the writing of Amazon Prime Video's Tamil anthology is quite incisive, the direction in all five shorts of Putham Pudhu Kaalai is well up on the ladder, some of the performances outshine others too.
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'Scam 1992: The Harshad Mehta Story' does not pronounce guilty verdict on India's first financial sector scamster, but presents us with a morally dubious character and leaves it our sensibilities whether to make him a messiah or a pariah.
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Bad Boy Billionaires has a cohesive narrative and highlights how institutional corruption and mismanagement are endemic in a nation where millions go hungry every night.
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Not one to go beyond what is implied through its title, 'High' is a crime series set around drugs menace. It is watchable if you haven't seen the numerous international counterparts it borrows from.
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Ka Pae Ranasingam, starring Aishwarya Rajesh as a widow who fights a lethargic system of political and bureaucratic insensitivity, is certainly worth your time and money.
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Nawazuddin Siddiqui is in top form as Ayyan Mani in director Sudhir Mishra's Netflix film Serious Men, which is based on Manu Joseph's book of the same name.
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'Tehran' gives greater mileage to human relationships than hardcore spy-craft. Read our full review of the latest, eight-part thriller series, streaming on Apple TV+, here.
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'Gone Girl' author Gillian Flynn writes and executive-produces eight episodes of the nihilistic action drama Utopia, based on the cult British conspiracy thriller series of the same name
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Lately, Barun Sobti has impressed us with his range in projects like Tu Hai Mera Sunday, 22 Yards and Asur, and he continues his good work in director Randeep Jha’s Halahal.
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Dolly Kitty Aur Woh Chamakte Sitare's intention of being a working class heroines’ story is quite apparent and has nice dimensions too, but there are way too many sub-plots going on for a 124-minute film.
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Disney+Hotstar's 'Hostages 2' with 12 episodes of under 40 minutes each despite its thriller genre, seems stretched. Read our full review of the new web show here.
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Though shot during the lockdown with virtual mediums, the movie has its constraints. However, the result is truly wonderful and there is never a dull moment.
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The first rections about Sadak 2, headlined by Alia Bhatt, are out and Twitter doesn't seem impressed at all. Directed by Mahesh Bhatt, the film also stars Sanjay Dutt and Aditya Roy Kapur in pivotal roles.
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Class of '83 Review | The thing about Bobby Deol's film is that it probably sounded great on paper, but doesn’t translate as effectively to the screen.
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