'Naxalbari' deals with the naxal movement in Maharashtra and how a civil-war like situation has only yielded casualties over the years and no resolution.from Top Reviews News- News18.com https://ift.tt/2KT9tdP
'Naxalbari' deals with the naxal movement in Maharashtra and how a civil-war like situation has only yielded casualties over the years and no resolution.
Dramatic, extravagant, irreverent and over the top, Karan Johar's new show is just the guilty pleasure you need in the middle of a pandemic.
Handsomely produced with marvellous period detailing and lensing by Khalid Mohtaseb, Uncle Frank is nicely layered.
The real winner of Chhalaang is its terrific ensemble cast—Satish Kaushik, Saurabh Shukla, Ila Arun, Jatin Sarna, Baljinder Kaur and Naman Jain.
Director Anurag Basu's Ludo might appear like a chaotic story at the first glance but you would soon start finding a method to the madness.
The opening credits song looks like a tribute to Rohit Shetty’s Golmaal tracks, and it’s a clever move to set expectations low right at the start.
M Gani's Matto Ki Saikil, produced by and starring Prakash Jha reminds us of the Italian classic Bicycle Thieves, and leaves us with heartbreak and helplessness.
The gags fall flat and actors appear clueless. Nobody has anything to do expect Akshay Kumar and he also ditches the audience. It doesn't live up to the expectations.
Welcome Home can creep you out with a revenge tale that is also a mirror to the patriarchal Indian society. Here's our movie review.
Keerthy Suresh has the tough job of living up to the expectations she set up with Mahanati but the shallow script fails her.
Koichi Furuya's lens paints a vibrant and textured canvas of Osaka, a city that becomes a character by itself.