Vadodara

                                Vadodara 

Vadodara (Gujarati pronunciation: [ʋəˈɽod̪əɾa]; formerly known as Baroda), is the third largest^[7] city in the Western Indian State of Gujarat, after Ahmedabad and Surat. It is the administrative headquarters of Vadodara District and is located on the banks of the Vishwamitri river, southeast of Ahmedabad, 139 kilometres (86 mi) from the state capital Gandhinagar. The railway line and NH 8that connect Delhi and Mumbai pass through Vadodara.

As of 2011, Vadodara had a population of almost 2.2 million+ people.^[8] The city is known for the Lakshmi Vilas Palace, the residence of Baroda State's Maratha royal family, the Gaekwads. It is also the home of the Maharaja Sayajirao University of Baroda(Vadodara), the largest university in Gujarat. An important industrial, cultural and educational hub of western India, the city houses several institutions of national and regional importance while its major industries include petrochemicals, engineering, chemicals, pharmaceuticals, plastics, IT and foreign exchange services amongst others

History[edit]

  The first recorded history of the city is that of the early trader settlers who settled in the region in 812 AD. The province was mainly Hindu-dominated with Hindu kings ruling until 1297. The Gupta Empire was the first power in the region in the early years of the CE. Later, the region was taken over by the Chaulukya dynasty. By this time Muslim rule had spread across India, and the reins of power were then snatched by the Delhi Sultans. The city was ruled for a long time by these Sultans, until they were overthrown by the Mughals.

Baroda State was a former Indian State in Western India(Asia). Vadodara's more recent history began when the Maratha general Pilaji Gaekwad conquered Songadh from the Mughals in 1726.^[12] Before the Gaekwads captured Baroda, it was ruled by the BabiNawabs, who were the officers of the Mughal rulers. Most notably, from 1705–1716, Sardar Senapati Khanderao Dabhade led the Maratha Empire forces in Baroda. Except for a short period, Baroda continued to be in the reign of the Gaekwads from 1734 to 1948. Initially detailed to collect revenue on behalf of the Peshwa in Gujarat, Pilaji Gaekwad remained there to carve out a kingdom for himself. Damajirao, son and successor of Pilaji Gaekwad, defeated the Mughal armies and conquered Baroda in 1734.^[12] His successors consolidated their power over large tracts of Gujarat, becoming easily the most powerful rulers in the region. After the Maratha defeat in the Third Battle of Panipat in 1761,^[12] control of the empire by the Peshwas weakened as it became a loose confederacy, and the Gaekwad Maharajas ruled the kingdom until it acceded to Independent Republic of India in 1949. In 1802,^[12]the British intervened to defend a Maharaja that had recently inherited the throne from rival claimants, and Vadodara concluded a subsidiary alliance with the British that recognised the Kingdom as a Princely state and allowed the Maharajas of Baroda internal political sovereignty in return for recognising British 'Paramountcy', a form of suzerainty in which the control of the state's foreign affairs was completely surrendered

Dance

Chimnabai was knowledgeable in Bharatanatyam and Carnatic music, and brought a troupe with her comprising two dancers, two nattuvanars (leaders of Bharatanatyam concerts) and two teachers (Khandwani 2002). Others followed later, including Nattuvanar Appaswamy and his dancer wife Kantimati, who had studied with Kannusamy and Vadively, two members of the Tanjore Quartet. After the death of Appaswamy in 1939, Kantimati and their son, Guru Shri Kubernath Tanjorkar, left Baroda to teach in Lucknow, and then worked in the film industry in South India until Sayajirao's successor, Pratapsinhrao Gaekwad recalled the family to Baroda in 1949 to teach in the Music Department in the Kalavan Palace, later absorbed into the Maharaja Sayajirao University (Gaston 1996: 158–160).Later Guruvarya Shri Kubernath Tanjorkar established his own Institute namely Tanjore Dance Music & Art Research Centre at Baroda with his Son Guru Shri Ramesh Tanjorkar and Guru Smt.Leela R. Tanjorkar and their family. This established a tradition of Bharatanatyam dancers and teachers, who were members of a family considered an offshoot of the Tanjore Quartet bani (stylistic schools; Gaston 1996: 159), already established in Gujarat by the time Mrinalini set up her own academy.